{"id":8954,"date":"2023-03-19T15:24:05","date_gmt":"2023-03-19T04:54:05","guid":{"rendered":"https:\/\/wetshutter.com\/?p=8954"},"modified":"2023-03-19T15:24:05","modified_gmt":"2023-03-19T04:54:05","slug":"dialling-in-the-sound","status":"publish","type":"post","link":"https:\/\/wetshutter.com\/?p=8954","title":{"rendered":"Dialling in the Sound"},"content":{"rendered":"<p>How hard can it be? Just play with the sliders until the performance sounds great. Easy, right?<\/p>\n<p>Over the last month and a dozen shows I\u2019ve developed a deep respect for the guy or girl driving the sound desk. Faced with changing shows every day and often several different shows in a single day the sound person has to deal with diverse instrumentation, vocal setups including microphones on stands and headset microphones and often difficult venue acoustics.<\/p>\n<p>Complicate things further with fold-back placement and moving performers with unpredictable feedback risks and that sound engineer is not just technical resource but an active performer in the show.<\/p>\n<p>Despite our strong visually oriented perception of performance it is sound that critically underpins a show. Bad sound distracts and makes us more critical of everything, amazing sound makes us forgiving of even the ugliest performance hiccups.<\/p>\n<p>Dialling in the sound is hard and every sound girl or guy sitting behind those sliders is as much a performer as the artists on the stage and deserve all the credit they hardly ever get!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>How hard can it be? Just play with the sliders until the performance sounds great. Easy, right? Over the last month and a dozen shows I\u2019ve developed a deep respect for the guy or girl driving the sound desk. Faced with changing shows every day and often several different shows in a single day the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8955,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2997,2977,2978,2999,1491,2996,2223,2998],"class_list":["post-8954","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-adlfringe2023","tag-celticsounds","tag-gluttony","tag-mixingdesk","tag-performingarts","tag-soundengineering","tag-yamaha","tag-yamahaql5"],"_links":{"self":[{"href":"https:\/\/wetshutter.com\/index.php?rest_route=\/wp\/v2\/posts\/8954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wetshutter.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wetshutter.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wetshutter.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wetshutter.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8954"}],"version-history":[{"count":1,"href":"https:\/\/wetshutter.com\/index.php?rest_route=\/wp\/v2\/posts\/8954\/revisions"}],"predecessor-version":[{"id":8956,"href":"https:\/\/wetshutter.com\/index.php?rest_route=\/wp\/v2\/posts\/8954\/revisions\/8956"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wetshutter.com\/index.php?rest_route=\/wp\/v2\/media\/8955"}],"wp:attachment":[{"href":"https:\/\/wetshutter.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wetshutter.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wetshutter.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}